MICS.  Neumann U67, 2 x Neumann KM 184, 2 x Coles 4038 Ribbon,  2 x AKG 414, AKG 451b, Royer R121,    Audio Technica  4033, Beyer Dynamic M160 Ribbon, Beyer Dynamic M500 Ribbon, EV RE20, Shure SM7, 2 x Sennheiser 421, Beyer M201, EV N/D 468, AKG D112, Placid Audio Copperphone, 3 x SM57, 1 x SM57 beta, 1 x SM58 plus various other studio staples and oddities. We’ve also acquired  a stereo pair of Jez Riley French contact mics. Currently we’re  experimenting with them to create our own plate reverbs and other effects such as mic-ing the walls and doors of the studio to capture alternative sounds.

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*using a brand new M7 capsule made in Germany by Neumann engineer, and selected original vintage NOS Telefunken ECC81 tube, Sprage and WIMA capacitors, 1% Vishay Ghoms resistors and NOS paper in oil military grade capacitor for a tube output that provides a great vintage character and tone.

OUTBOARD Includes 3 x Neve 1073 mic pre and eq. SSL G series bus compressor. API 525 compressor. Avalon 737sp Valve preamp/compressor/eq. API 3124 pre amp (x4). Universal Audio 1176 2 2x Mono/stereo Compressors. MAAG audio eq4 mastering eq. 2 x WA-EQP valve eq. Focusrite ISA 828 preamp (x8). Lots of TLA Valve Compression/Preamp/EQ. Stereo Spring Reverb, Lexicon and Yamaha Reverb Effects Units. Nearfield monitors are Dynaudio Acoustics BM6A MkII. Farfield  Mackie monitors to rock the room